Guns.
Violence.
Mass
shootings.
Death.
Deaths of
children.
And children
… and children.
I ease up warily to the news these
days. Will there be another shooting
today? Did some young man decide today is the day to avenge, to erupt, to disappear
from earth, to make a name, to claim his 15 minutes of fame?
Who should
have seen and known and reported or aided or medicated? Who should have noticed
tears or lack of tears, or wild talk… or murderous silence?
We wonder…
after…. could that be me or mine or them or theirs?
Could I have been in the wrong place at the
wrong time with the wrong people when he showed up to obliterate his pain by
creating my pain/our pain?
The
newspapers carry stories and interviews—we examine his childhood, school
records, the parents, the neighbors, the papers he wrote, his Facebook page, the
statement he reportedly made on the playground on Thursday, the time he would not answer
the teacher in class…
or
there was no
evidence, no trail, no inkling, no portent of the coming rain of bullets. We
didn’t know. We don’t believe…
The headlines
we face daily lately and the news on the radio jumps out at us… and we moan… Oh
No! Not again!
After
Virginia Tech erupted in gunfire, after Columbine, after Trayvon Martin died
going home from the store, after Batman invaded the Century Movie Theater in
Aurora , after the Sikh Temple shootings, after Newtown ...
How do we
talk about this? What conversations do
we need to begin?
Sometimes the
only way to make sense of the realities in our world is to turn to fiction. Fiction
can reveal the truths clothed in stories of imagination. Making Up Megaboy by Virginia Walter is one such fiction that leads us into conversations that help us examine our
thoughts, perspectives, questions, and surprise at these events. I find that books always
fall into my hands when they are needed and I discovered this one after the
Virginia Tech shooting. Originally published in 1998, It could have been written
this year, given its plot and theme.
Robbie Jones, a middle-school student, takes his
father’s gun and shoots an elderly Korean store owner. This short
young adult novel is a case study, an inquiry, that examines Robbie’s life
through the lenses of those connected to him before and after the shooting--
teachers, parents, news journalists, best friend. His life
unfolds through their eyes allowing us to turn over the possibilities of his
life and sort through the various pieces of evidence or lack thereof.
Through his
story, we can begin conversations about the alienated, the mentally ill, the
substance-filled, the youths, and others with ready access to guns.
We can begin
to take a close look at our landscape which contains such violence.
We can also begin to ask: Who am I in these stories?
Today’s Deeper Writing Possibility
Have you or
your family or friends been personally affected by a shooting?
What do you
remember about the event?
Write about
the events from your perspective.
Then try writing
about the events through the eyes of others involved.
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