Sunday, May 11, 2014

RESEARCH REPORTS





As students we were often asked, to write information or research reports.

What did that mean?

When I was 10, it meant I would pull out the World Book Encyclopedia --whatever letter-volume I needed to address my topic, I would find the appropriate entry, and read it through once to make sure the article had everything on the outline--we used outlines to write everything when I was 10.

If I was writing about an animal, that meant I probably needed to find out where it lived, what it ate, and how it raised its young. I might also have to include what it looked like, including distinguishing features.

If I was writing about a country, that meant my outline probably included the location, population, cultural indicators--along with representative pictures-of music, food, and clothing.  I might also be required to find out about schooling and what children my age did for fun.

You get the idea.

Paragraph by paragraph, I would painstakingly transpose, substitute, omit, and add words, so that I was "reporting in my own words".

 We were not allowed to "copy". (I don't think I ever heard the word paraphrase until much later in my school career -- it sure would have been useful at 10.)

I usually got an A on my resulting report.


Fast forward.

For many years during my early teaching, my own students created reports using much the same process  as mine at 10.

We had a meager library in our school.  I don't remember it having many nonfiction books available.  If they were there, we did not check them out.

We had an old set of World Books in my first classroom--about ten years out-of-date.

I also had amassed a classroom library of information books by requesting related sets from the main district library-- again, many out-of-date books.

Once my students had located their one needed book, one book on their topic).... they repeated my above process.


Flash Forward.

In later years, I began to question the notion of research and observe my own processes, especially as I got personally interested in my own topics, and engaged in authentic quests for information,  gained new understandings and increased my personal learning  for real purposes.

What did I do?
Usually passion drove my search.  I wanted to know.  I wanted to learn.
My search led me to books, articles, poems, websites, people, places where information could be obtained...back again to books, articles, old notes, new notes, websites, blogs, people, places...

The search was always recursive and generative... leading me back to  previous sources for different reasons and to additional sources discovered along the way while searching.

 What did I do?
I took notes furiously... on yellow legal tablets-- then.  On my iPad or computer now.
I tore out pages of magazines or journals to save,  I tabbed book pages,  I bookmarked webpages for later,
I copied and pasted.
I noted sources, recorded references--- lots of them.

What did I do?
I reviewed and organized what I found.  Did I find what I was looking for?  Do I still have questions?
What do I still need?

I realized that what I did, I needed to teach my students-- allow my students, encourage my students--to do the same as  they wrestled with self-selected  topics of interest and real  issues.

In The Pet Project: Cute and Cuddly Vicious Verses by Lisa Wheeler,  a young girl engages in scientific research to decide what kind of pet she would like to get.  The resulting verses provide humorous  research guide of sorts that  makes a wonderful introduction to the notions of authentic research for young students.

It drives home the role of  real questions,  authentic needs to know, and  demonstrations of the processes and work involved.


At NCTE 2012 I heard Chris Lehman speak about  notetaking and researching for students.

He reminded us that we all do research all the time for authentic reasons  and gave several examples, such as when the  doctor says you need a procedure that you don’t want , so you research alternatives, or deciding what book to read next, or figuring out how to fix your car, or  deciding whom to vote for in the  upcoming election.

 What do we actually do as adults in real situations when we are investigating an issue, researching a topic,  figuring out what we  need to know and deciding how to find out?

This is what we need to teach.

I came to this conclusion ...and so did Chris Lehman. In Energize Research Reading and Writing, he talks about helping students narrow down topics and  evaluate sources:


Teaching students to research... does not begin by assigning finite  topics and handing out preselected sources.  Instead, it begins by embracing the uncertainty all of us feel when first researching a topic, then, teaching budding researchers to do the things we have learned to do...
... The skills of research begin from  the very first : "I must learn about..." We need to teach from that starting point ... 
Step by authentic step, this useful resource enlivens research for you and your students and provides a framework for doing real work-- real research--after the " I need to learn about.."


 As you encourage research and reports with your writers,  my previous post on inquiry and questioning, Wonderings, What-Ifs and Other Questions,  may be a helpful starting place.


Today's Deeper Writing Possibility

What do you want to know or learn or understand?
What questions do you have?

Make a list of things you are wondering or want to investigate.

Choose one question or issue or topic to research.

Where will your search begin?
What resources will be helpful?

Once you have enough...begin to review and organize your information.
You may even want to write a report or essay  summarizing responding to what you found.

Enjoy the process, Savor the journey.

Monday, May 5, 2014

BOOK CHAINS




It happens sometimes that the perfect book follows the last perfect  book you read and the next perfect book after that.
What do I read next?
Sometimes you make just the right choice--not knowing at the time the wisdom and the magic of the sequence or pairing.

It happened when I read Lois Lowry's  Messenger followed by Ursula LeGuin's Gifts (Annals of the Western Shore).

  
 How do we use the gifts we have been given? When is it acceptable to not use our gifts?
 Both books address these important questions.



It happened when I read Wonder followed  by My Name Is Mina followed by Out of My Mind

    
What does it feel like to be different?
How do I respond to those who are different?
How do I respond to others who mistreat those who are different?
How do I react when I am the one who is different?

It happened as I read the new collection of James Baldwin's poetry in partnership with that of Yehuda Amichai.



How do I tell my story? Translate my world?   Transcend the pain and truth of being me, of being us, of living yesterday and today-- and hopefully celebrate tomorrow--yours and mine?

Some books are just divinely linked, and reading them in succession or alongside each other amplifies the reading experience of each, extending contained themes,  as we trip over  connecting thoughts-- reworked and re-imagined-- affirmed or revised-- as each new book is added to the related chain.


I have delighted in my latest accidental chain: The Magician, Ophelia and the Marvelous Boy, and finally, Boy, Snow, Bird..

  

 They are all connected by a magnificently magical thread, starting with a grown up Hogwarts-like school, weaving through  favorite tales of the Snow Queen and Snow White, and  yet when the tapestry is turned to the reverse side, we see knots, ripples and ridges of threads, looping back on the possibilities of the tales, the maybes in the plot, and the what-if''s pushing us forward through entirely new stories.

When that happens, we can't help but wonder what next read will further enhance this story--these stories-- push us even farther into the cracks and crevices of the motifs, sending us on a search for origins, and deeper, tighter weavings of the tale with our lives, and  richer seasonings on this new serving of our world.

Woven into each of these most recent stories were all the things I love about imagined stories re-imagined.

There is the growth of characters, sometimes at the expense of others.  There are magic scavenger hunts and incantations.  There are faint echoes of the tale we heard as a child, now grown-up, and  more disturbing than we remember.

How will the author re-imagine and rework this scene, this setting, that character, this object?  How will the connection rethread itself to a satisfying ending?

There are transformations of all involved and connected with the story-- including ourselves.

 Book chains.

They feed forward our reading appetites and minds, sending us looking for the next related, connected, perfect book to follow the one we have just closed.

 Today's Deeper Writing Possibilities

Which books have you read in sequence or perhaps, even at the same time, that  proved to be perfect and divinely complementary of each other?

Write a personal narrative about how you came to select these particular books.

Write an essay about the connections of the two ( or more ) books.

Write a poem linking the characters, motifs, settings or some other element of each book.

Tuesday, April 29, 2014

POETRY ROUND-UP: WRAPPING UP NATIONAL POETRY MONTH 2014






Tomorrow is the last day of April.
This month has flown so quickly.
The end of National Poetry Month is here.
Our intense and intentional celebration of poetry is almost over.


As we exit  this formal time for relishing poetry and  honoring verse, I became curious about the posts I had previously written related to poetry.

Prior to April 2014 I had written 15 poetry posts, ranging in subjects that connected poetry to love, pain, memoir, and experimentation.

Several types of found poetry were explored:  blackout or erasure poetry, book spine poetry, along with carved books.

More traditional forms were also explored including ars poetica, ekphrastic poetry, and ghazals.

And any consideration of poetry is not complete without acknowledging the  poetry of witness, how poetry gives both reader and writer a place to stand, as well as the resilience of poets who write such poetry.

What new poem or poet did you discover during this past month?
What familiar poem resurfaced for you and reminded you of why you love it?

Did you write a poem-- or two-- or seven-- or more?
What new technique or strategy or form did you try?
What poem or poet did you imitate?

Please feel free to share in this space your new learning, discoveries, successes-- and even your failures as you attempted to more deeply explore the world of poetry.

For ideas to continue in your explorations, you may want to explore one or two of my past poetry-related posts. Enjoy these posts from the past year.

Love and Poetry

Blackout Poetry and Carved Novels

Poetry: A Place to Stand

Book Spine Poetry

Poetry in the Time of Pain

Guzzling Ghazals

Came Again, Anaphora

Ars Poetica

Poetic Memoirs

Found Poetry and OCIRA 2013

Essential Poetry Collections

Ekphrastic Poetry

The Poetry of Resilience

Exploding a Moment: Exploring with Writing

Against Forgetting: Poetry of Witness

You may also want to  review or reread the more recent collection of poetry posts from  National Poetry Month 2014

Women and Poetry

Men in Poetry

Haiku Meditations

Conversations in Poetry

The Art of Losing: Poems of Grief and Mourning

Gravestones: Writing a Life


And as we move into May and leave behind this formally designated and  artificially provided time for us to read, write, celebrate, and discover poetry, my hope is that you will continue to do this as a normal, if not necessary and required, part of  your literacy life.


Today's Deeper Writing Possibilities

What new poem or poet  did you discover during this past month?
What familiar poem resurfaced for you and reminded you of why you love it?

Did you write a poem-- or two-- or seven-- or more?
What new technique or strategy or form did you try?
What poem or poet did you imitate?

Write an personal  essay about your new discoveries and experiences with poetry this month.
Or write a persuasive essay about why it is important to celebrate National Poetry Month.

Write a poem about why poetry is important  to you.